Slave to the Idiot Box: TV Shows Thus Far
Tuesday, October 6th, 2009 04:51 pmOn TV so far this fall:
Flashforward: Although I'm a little sick of the writers acting as if the audience didn't watch the previous episodes, I really do love this series and can't wait to see where it goes. And John Cho is fabulous--I do hope his character doesn't die!
House: House, you bastard! Wait, I need more of that and less of House being a reformed addict. I watch this show firstly in order to see Hugh Laurie's brilliant acting job of being a total asshole to all those around him (particularly foolish people); secondly for soap opera drama between the secondary characters; and thirdly for thorny moral medical dilemmas. This season has been way too heavy on #2 and #3 and far too light on #1.
I did get a huge kick out of Wilson calling House "Sookie", though. And James Earl Jones is always an amazing actor to watch. Unfortunately, these two things could not save the rest of the episode.
Dollhouse: It's easier to write about this show in terms of the unaired episode "Epitaph One" and the episodes so far this season. So, spoilers ahead for both of these, starting with ( Epitaph One )
Then, we have the two episodes of this season so far, which have been incredibly lackluster and gleefully returned to the same problems that I had with the show in the first place as if "Epitaph One" never happened (or never *will* happen, depending on your point of view). In fact, the show upped the level of skeeve with the second episode in which Topher somehow managed to alter Echo's body so that she could lactate and awaken her Mothering Instinct, (which, of course, all women have lurking around their edges--watch out, it turns them into knife-wielding psychopaths!!) so she could mother some lazy schmuck's baby after his wife died. This lead to scenes along the lines of NO THEY BE STEALIN' MAHBUKKIT BABEH!, which were creepy and tiresome at the same time, not unlike a slasher film around the two-thirds mark. Attention, Dollhouse writers: I don't want a slasher film; I don't want soft-core fetish mindf*ck porn. I want a well-thought-out sci-fi drama that doesn't treat its female characters like disposable whores and actually goes somewhere with its very interesting premise. Is this possible?
(Also? Alexis Denisof's character's goofy accent?! I am glad to see him back on TV, but WHUT.)
Flashforward: Although I'm a little sick of the writers acting as if the audience didn't watch the previous episodes, I really do love this series and can't wait to see where it goes. And John Cho is fabulous--I do hope his character doesn't die!
House: House, you bastard! Wait, I need more of that and less of House being a reformed addict. I watch this show firstly in order to see Hugh Laurie's brilliant acting job of being a total asshole to all those around him (particularly foolish people); secondly for soap opera drama between the secondary characters; and thirdly for thorny moral medical dilemmas. This season has been way too heavy on #2 and #3 and far too light on #1.
I did get a huge kick out of Wilson calling House "Sookie", though. And James Earl Jones is always an amazing actor to watch. Unfortunately, these two things could not save the rest of the episode.
Dollhouse: It's easier to write about this show in terms of the unaired episode "Epitaph One" and the episodes so far this season. So, spoilers ahead for both of these, starting with ( Epitaph One )
Then, we have the two episodes of this season so far, which have been incredibly lackluster and gleefully returned to the same problems that I had with the show in the first place as if "Epitaph One" never happened (or never *will* happen, depending on your point of view). In fact, the show upped the level of skeeve with the second episode in which Topher somehow managed to alter Echo's body so that she could lactate and awaken her Mothering Instinct, (which, of course, all women have lurking around their edges--watch out, it turns them into knife-wielding psychopaths!!) so she could mother some lazy schmuck's baby after his wife died. This lead to scenes along the lines of NO THEY BE STEALIN' MAH
(Also? Alexis Denisof's character's goofy accent?! I am glad to see him back on TV, but WHUT.)