retsuko: (river w/ gun)
[personal profile] retsuko
There is an excellent essay by Laura Hudson here that is specifically about the new DC comics relaunch and its gender issues, but really can be taken as a comment on comics fandom as a whole. It's awesome, and I really don't have much to add to it, except for the fact that the pages and panels from 'Catwoman' that Hudson uses could just have easily been from any other superheroine title and the analysis would still be just as on point and valid.

In any case, the issues with the depiction of women are one of the reasons that I often hold back on saying what I'm fan of. Since "nerd" is undergoing a sort of semi-cool Renaissance, I can usually mention my love for "Doctor Who," the works of Jim Butcher, or any of the Harry Potter books and movies without fear of reprisal. But one word about comic books and people start getting that judgmental aura of "I thought you were smarter than that" or giving me these expressions of utter bewilderment, usually followed by the question, "why?" And I must admit that I answer that question myself every damn time I step into any comic book shop. It does help that my local comic supplier, Comickaze, is run by an excellent staff of knowledgeable guys who have never once made me feel uncomfortable or weird. But in other places, at other stores, I have felt the distinctly unpleasant feeling of Difference, (or Otherness, in academic parlance). Seeing a wallpapering of posters of female comic book characters in bikinis, with bodies that are completely impossible in every sense of the word, is a depressing experience. Why keep reading books by an industry that largely imagines women to be merely men with breasts? Why bother looking at titles that depict women as objects to be sexed up, used up, and thrown away? Am I just indulging some kind of nerd-specific masochism?

Every time I start asking these questions, or see too many women in bikinis, I close my eyes and think of all the awesome women I know or know about who are involved in the comics industry, or in the independent fringes. I think of [livejournal.com profile] psychoe and [livejournal.com profile] ashears's amazing artwork and how one day, I'm going to say "I liked them before they were cool" in an annoying hipster voice. I think of cartoonists and writers like Kate Beaton, Moto Hagio, Natasha Allegri, Tracy Butler, Gail Simone, CLAMP, Momochi Reiko, Hope Larson, Naoko Takeuchi, Yuko Shimizu, and many, many others, too numerous to list here. I remember all the amazing female characters who I've read and loved, like Storm and Kitty Pride, Francine Peters, Rose (from Bone), Faiza Hussein, Lizzie Hexam, Elissa Megan Powers and Ninjette, Nico and Gert and Princess Powerful (from Runaways), and all the characters whose stories I haven't read yet. But mostly, I think about opportunities.

Comic books as a medium are an amazing opportunity for artists and writers to tell stories in a unique and powerful manner. And I have hope that this industry will come to its senses, even if it has to go through a horrifically prolonged birth process to do so. (Although I will admit the DC Relaunch is one hell of a contraction.) There's more than enough opportunity to go around to keep the industry afloat. Why not fix the sexism problem? Imagine twice the money. Imagine the marriage of idealism and commerce. Imagine a day when no reader has to ask the question "why?" when she or he steps into a comic book store.
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