It's a Miracle I Got to Gate 7
Sunday, November 6th, 2011 01:59 pmOn TV:
Torchwood: Miracle Day: ... uhm. This was a really, really mixed bag of a show. On one hand, it was incredibly compelling; I hated waiting between episodes to find out what was happening, and I was genuinely worried for several of the characters, especially our two remaining heroes, Gwen and Jack. But on the other, there were some real missteps with this plot that sort of poisoned the well for me. ( I'll blog about them under the cut, with lots of spoilers. )
In Manga/Comics:
Gate 7, Vol.1, Words & Pictures by CLAMP: I want to like this. It's my favorite CLAMP setting (modern day Japan with ghost stories), it has GORGEOUS artwork, and it looks like the story could unfold in a reasonably linear fashion. I just wish that CLAMP could stop depicting characters who look underage (or who behave incredibly childishly) as sexualized. Hana, the character in question, is oddly sexual at weird points in the story, and it's jarring. To see a character go from acting like an adorable little child who loves noodles in one panel to sexually available lust object in the next panel is... creepy. It's a little too much like Chobits. The other thing I'd like to see out of this story is the main male character developing a little agency instead of letting other people run his life. It's great that he's kind of a sweet nerd who loves Japanese history and Kyoto, but if I suddenly found out that I might have a magical power that could influence a centuries old magical conflict, I'd sure be asking a few more questions. But this is only Volume 1, and I'm more than willing to wait and see where the story goes. Damn, the art's pretty. It's hard to stay mad at CLAMP.
Ultimate Spiderman, Issues 2 & 3, Words by Bendis & Pencils by Pichelli: I really love the plot this comic is exploring and Miles Morales is a great character. If I suddenly gained superheroic powers, I'd probably be terrified, too. Quick, go and out, and read this! Pichelli's pencils continue to be great, too. She has a real eye for facial expressions.
Torchwood: Miracle Day: ... uhm. This was a really, really mixed bag of a show. On one hand, it was incredibly compelling; I hated waiting between episodes to find out what was happening, and I was genuinely worried for several of the characters, especially our two remaining heroes, Gwen and Jack. But on the other, there were some real missteps with this plot that sort of poisoned the well for me. ( I'll blog about them under the cut, with lots of spoilers. )
In Manga/Comics:
Gate 7, Vol.1, Words & Pictures by CLAMP: I want to like this. It's my favorite CLAMP setting (modern day Japan with ghost stories), it has GORGEOUS artwork, and it looks like the story could unfold in a reasonably linear fashion. I just wish that CLAMP could stop depicting characters who look underage (or who behave incredibly childishly) as sexualized. Hana, the character in question, is oddly sexual at weird points in the story, and it's jarring. To see a character go from acting like an adorable little child who loves noodles in one panel to sexually available lust object in the next panel is... creepy. It's a little too much like Chobits. The other thing I'd like to see out of this story is the main male character developing a little agency instead of letting other people run his life. It's great that he's kind of a sweet nerd who loves Japanese history and Kyoto, but if I suddenly found out that I might have a magical power that could influence a centuries old magical conflict, I'd sure be asking a few more questions. But this is only Volume 1, and I'm more than willing to wait and see where the story goes. Damn, the art's pretty. It's hard to stay mad at CLAMP.
Ultimate Spiderman, Issues 2 & 3, Words by Bendis & Pencils by Pichelli: I really love the plot this comic is exploring and Miles Morales is a great character. If I suddenly gained superheroic powers, I'd probably be terrified, too. Quick, go and out, and read this! Pichelli's pencils continue to be great, too. She has a real eye for facial expressions.